Kristine Kathryn Rusch has a terrific post this week on the business changes happening at light speed right now, “Writing Like It’s 1999.” Publishing contracts are changing FAST and it’s important to be aware of what is going on if you want to make a living in this industry.
Also, I found out from a comment by LP King on her post, that David Byrne did a great article back in 2007 on changes in the music industry entitled “Survival Strategies for Emerging Artists–and Megastars”. Considering that the music industry technology shift happened about eight years before it started in publishing, this is a terrific article to help get a feel for what might happen or be possible for writers. I made a cup of tea during a work break and read it in one sitting. Great stuff to ponder.
Posted in Agents, Business of writing, Contracts, Copyright, Editors, Publishers, Writers on Writing Links
Tagged Business of writing, Contracts, David Byrne, e-publishing, Kristine Kathryn Rusch, Publishers, Writers on Writing Links
Whatever your opinion may be about playwright/director/actor Tyler Perry’s work, consider reading the interview he did with Oprah for the December 2010 issue of her magazine.
When he started out, Mr. Perry’s plays failed six times in a row over six years (one play failure each year, and then he’d have to work odd jobs to scrounge up the money to start over the following year). It wasn’t until the seventh attempt that he wrote and produced a play that succeeded.
During those six years when he was trying to make it, there were times he was sleeping in his car to put together the funds for the next play production attempt.
Too often there’s a belief that one must be successful with the first short story, novel, screenplay, or play written. And that if one fails, that means one has no talent and should just give up.
It takes time to learn a craft and reach a professional level. An important lesson to take away from Tyler Perry’s story is that one must be willing to learn from failure.
No major post this Sunday. I’ve got a looming writing deadline this week that must come first.
However, check out this interview with Jane Yolen at School Library Journal as she celebrates her 300th published book. She has valuable advice to give on how to be productive and happy as a writer.
Peter Hanson and Paul Robert Herman have gone and interviewed 50 screenwriters to create the best (as well as the most brutally realistic) documentary on screenwriting I’ve ever seen, TALES FROM THE SCRIPT. Even if one doesn’t write screenplays, this documentary is worth seeing as a way to understand the joys and hardships of writing stories for a living.
Here’s their description of the documentary:
Screenwriters ranging from newcomers to living legends share their triumphs and hardships in this probing, insightful, and often hilarious odyssey through the world of movie storytelling. Celebrated scribes reveal the fascinating creative adventures that gave birth to beloved classics (and notorious flops). By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in Hollywood. Candid and unafraid to name names, they also describe their collaborations with stars including Tim Burton, Harrison Ford, Morgan Freeman, Stanley Kubrick, Adam Sandler, Joel Silver, Martin Scorsese, Steven Spielberg, and Bryan Singer.
Also, Scott William Carter has written a realistic thoughtful blog post on “10 Reasons There’s Never Been a Better Time to Be a Fiction Writer.” Here’s a very small taste:
When I replied that actually they’ve got it dead wrong, there’s never been a better time to be a fiction writer, that if I had a time traveling machine and could pick only one time to be a novelist, I’d pick now without question, I’m pretty sure he thought I was smoking something.
But it’s the truth. Seriously.
Don’t believe me? Here’s ten reasons why.
Go read this long post of his. It’s better than many articles on “changing technology and the impact on writers” that I’ve seen in Writer’s Digest or Publisher’s Weekly.
Posted in Business of writing, Craft of writing, Interviews with Writers, Markets, Psychology of writing, Writers on Writing Links
Tagged Business of writing, Craft of writing, Interviews with Writers, Learning the craft of writing, Psychology of writing, Scott William Carter, Tales from the Script, Writers on Writing Links
Yesterday I stumbled across a 22 minute interview with Ray Bradbury done by the National Endowment for the Arts’ “The Big Read” program. It’s well worth watching. There’s even a loud car purr to relax by
But, watching this interview, I was struck by just how vivid and alive Bradbury is compared to some people I’ve met. He’s refused to be mocked by the world into disguising, hiding, and getting rid of his enthusiasms, and it shows.
How many people do you know go to Paris to walk the streets while stopping to read TENDER IS THE NIGHT along the way? It’s the actual physical act of getting out into the world and colliding with it that can generate so many new ideas.
Enthusiasms can also act as road signs of what to write about as a writer. They can help a writer find his or her voice. For example, a passion for astronomy could turn into a science fiction story or a literary novel about an astronomer. And I’ve noticed how “catching” enthusiasm is. I’m not into cars, but by watching the hosts of “Top Gear” on the BBC talk with passion about cars, I’ve caught some of their enthusiasm and am starting to pay attention to the cars and trucks I see daily.
Bradbury has priceless advice to give on finding one’s voice as a writer, both in ZEN AND THE ART OF WRITING and in this “The Big Read” interview. Check them out.
Posted in Craft of writing, Interviews with Writers, Learning the craft of writing, Voice, Writers on Writing Links
Tagged Craft of writing, Getting Ideas, Learning the craft of writing, Productivity, Ray Bradbury, Voice, Writers on Writing Links