Monthly Archives: September 2008

Neil Gaiman’s Journal – Inside the head of a successful fiction writer

Neil Gaiman is best known for his fantasy writing in comics (such as the SANDMAN series), novels, children’s books, and screenplays. He’s hit various bestseller lists over the years, and has received 3 Hugos, 2 Nebulas, 1 World Fantasy Award, 4 Bram Stoker Awards, and more.

I got introduced to his journal about three years ago and I’ve been reading it ever since.  His journal is an amalgam of answered letters from readers, commentary about his life as a writer, reviews of other authors of note, discussions about free speech, links to intriguing websites, and whatever else catches his eye.

There is a search tool for the website, so you can dig around to see if he has posted on a subject of interest.  There are also answers to common questions hidden away in the FAQs section.

Dorothea Brande’s BECOMING A WRITER–helping writers overcome behavioral problems

I found out about Dorothea Brande’s BECOMING A WRITER (ISBN 0-87477-164-1, published 1934, reprinted in 1981) the same way I did Ueland’s IF YOU WANT TO WRITE, by looking in the bibliography of Cameron’s THE ARTIST’S WAY.  And I’m so glad I did, for this book tackles several core behavioral problems that can plague writers.

The 1981 reprint also includes a forward by novelist and creative writing teacher John Gardner as a bonus. Here’s what he has to say about Brande’s book:

It’s an astonishing thing that Dorothea Brande’s Becoming A Writer should ever have fallen out of print, and a lucky thing it is now back in the light where it belongs.  The root problems of the writer, whether the writer is young or old, just starting out or much published, are no different today than in 1934….

Brande’s book is mostly about the psychology of writing, not the craft (except for finding one’s voice as a writer) or business side.  Her focus is to help the writer improve in productivity and originality.  To do that, she has the writer do numerous exercises, write morning pages, and practice meditation techniques.

Here’s a quote from Chapter Two, What Writers Are Like:

After you have begun to see what it is to be a writer, after you learn how the artist functions and also learn to act in the same way, after you have arranged your affairs and your relations so that they help you instead of hinder you on your way toward the goal you have chosen, those books on your shelves on the technique of fiction, or those others which set up models of prose style and story structure for emulation, will look quite different to you, and be infinitely more helpful.

This book, combined with Mundis’ BREAK WRITER’S BLOCK NOW, helped me this past spring to come up with a specific plan to conquer my submissions block problem once and for all.  Neither book mentions submissions block by name, but their techniques work for any sort of behavioral problem a writer is facing.

Writing-World.com – Articles on all kinds of writing

Writing-World.com is my first place to go when I want to learn about different kinds of writing, especially if it’s an unusual niche like greeting cards or quizzes.  They also have extensive articles on the business aspects of being a writer.

The website is broken down into sections such as Beginner’s World, Commercial Corner, International Writing, Children’s Writing, Creative Nonfiction, etc., and each section is broken into subsections for easy perusal.  Sometimes I like to visit the site and poke around randomly to see what catches my eye.

Writing-World.com is also handy as a brainstorming tool if you need to come up with new ways to bring in income as a writer, because so many different types of writing are covered.

Goal for this blog – round 2

I’ve been blogging for over a month now, and have discovered what I want to do with this blog.

MY GOAL FOR THIS BLOG (REVISED)

To bring attention to the best books, websites, software, and DVDs I can find on the profession of fiction writing.  Most posts will be on a MWF schedule.  Once a month on a Saturday I’ll post what I’m up to as a fiction writer.  However, the blogosphere is overflowing with blogs that cover the day-to-day life of a writer, so I’m sticking to writing reviews instead of blogging my personal life.

Also, there is such an overabundance of stuff out there for the budding fiction writer that my reviews will skew positive since I’ll be trying to draw attention to the gems.

That’s all.  I’ll have a new review posted later tonight.

Jerrold Mundis’ BREAK WRITER’S BLOCK NOW

Writer’s block is one of the hazards of the writing profession.  If you don’t write, you don’t sell.  So keeping the words flowing is crucial to being able to pay the bills.

Jerrold Mundis goes straight to the point in his 88-page book BREAK WRITER’S BLOCK NOW (ISBN 0312053940, April 1991, out of print).  He deliberately wrote the book to be read and the exercises done in one afternoon sitting.  Let me repeat that–not months, not days, one afternoon.

Mundis makes his living as a writer, but also does one-on-one counseling with writers who have writer’s block.  The way the book is structured makes it clear that he bases the steps on his counseling sessions, which last one afternoon.

I got hold of a copy of the book through Inter-library loan about four months ago, and completed it in one afternoon as recommended.

The reader alternates between doing exercises to figure out what is going on in his or her head, and reading about foundation skills and techniques used to break writer’s block (labeled soft, firm, hard, and nuclear–the worse the block, the more intense the techniques used).

Mundis cuts to the heart of the matter when he says that the three destroyers of productivity are:  1) Perfectionism, 2) Fear, and 3) Baggage Train (i.e. worries about money, cravings for fame, determination to show “them”, etc.).  He also points out that when looked at closely, baggage train feelings are often rooted in perfectionism or fear.

It’s a shame this book is out of print, for I’d buy a copy right now for my reference shelf.  There are used hardback editions available, but they are quite pricey (average cost about $50).  However, if for some reason I had trouble with writer’s block in the future, ordering a used copy would be the first thing I did.

Miss Snark’s blog – Inside the mind of an agent

Writing a piece of fiction is a matter of art and craft.

Selling a piece of fiction is a matter of business.

If you’re going to sell your fiction, you have to gain an understanding of the business side of publishing.  Stuff like contracts, agents, markets, and copyright.  It’s not something that is learned overnight–the best approach is to aim to learn a little each week.

For understanding the world of agents and how an agent thinks, the blog archive of Miss Snark is one of the best resources–it’s still recommended by agents as the place for writers to go for their education. Miss Snark blogged for almost two years about agents and publishing, and it’s a treasure trove of information.

The only downside is, there are no tags or categories, so it’s key word searches or wandering through the archives to find what you’re looking for. But Miss Snark’s witty commentary makes it worthwhile to dig around.   For example:

Nothing makes me want to set my hair on fire faster than hearing “I’ve tried to make the book stylistically interesting”. You tell me that in a query letter, I’m reaching for the lighter fluid.

And when you say the “mystery” doesn’t emerge till page 100, that’s akin to saying the “the plot doesn’t start till page 100″.

Prepare to have lingering illusions about the publishing industry dashed; a good thing since I’ve watched writers sign contracts with bad agents and crooked publishers that they later came to bitterly regret.

Stephen King interviewed in-depth by Mark Lawson on BBC4

I just discovered this in-depth interview with Stephen King done by Mark Lawson on BBC4.   No matter what your opinion about King’s work, this is a useful in-depth exploration of what it’s like to be a fiction writer.  King talks about a writer’s life and how much of it goes into fiction, about the desperation of wanting to be a writer, blunt commentary on his first published book CARRIE, the struggle of being a novelist when you’re a teacher, the marketing labels put on writers, the difference between how genre writers are treated in America versus England, etc. etc.

This was a lot of fun to watch with a big mug of tea. Sort of like visiting your successful Uncle and his guest, and listening to them chat about the writer’s life before dinner.

Five novelists in Oliva Goldsmith’s THE BESTSELLER (Portrayals of Writers)

I’ve read reviewers complain about the characters in Olivia Goldsmith’s THE BESTSELLER (published 1996, ISBN 0-06-109608-3) being two-dimensional, but I don’t care that they are.  That’s because I love how in this novel she writes passionately about the publishing world she lives in.  And she knows it intimately, being a New York Times bestselling author.  And being fiction, she can discuss some of the seedier pitfalls, abuses, scandals, and scams of publishing that writing guides don’t cover.  For example, we get to see how an author who is also head of a publishing house can rig the royalty accounting statements in order to steal money from other authors.

Readers get to follow the progress of five novels in different genres at the fictional publishing house of David & Dash.   Only one of the authors will hit the top ten NYT bestseller list in the story, and we get to follow what happens to all of them.  There are also peeks at the lives of editors, publishers, and agents.

Goldsmith explores some of the psychological hazards of the fiction writing profession, such as depression and suicide and disillusionment.  For example, Chapter 1:

Books, her mainstay and her escape, had turned on her.  Every published book taunted her.  Words, which had been her comfort, her tool with which to weave a story, were now a chain that was dragging her down.

And she also shows us the joys of being a fiction writer.  For example, Chapter 110:

And then she’d write about it, because for some reason capturing life on a page was her talent, the thing that gave shape and meaning to her existence, the gift that had brought all the other rich gifts into her life.

Anyways, this novel is a fun way to learn about the business of fiction writing.

A pep talk for writers – Brenda Ueland’s IF YOU WANT TO WRITE

Writing a novel can feel like slogging across a continent barefoot.  Fatigue sets in, followed by despair (i.e. “It’ll never end.”; “What’s the point?”; “I suck.”).

For those times when I feel like stopping the trek from idea to finished manuscript, I now turn to Brenda Ueland’s IF YOU WANT TO WRITE: A BOOK ABOUT ART, INDEPENDENCE AND SPIRIT (ISBN 0-915308-94-0).  Originally published in 1938, the book explores the psychological and creative aspects of the writing process.  I went looking for a copy of this book this summer after reading a brief excerpt of it in Juila Cameron’s THE ARTIST’S WAY.

Ueland writes with verve and wit about the writing profession, and has much to say about the creative process as a writing teacher.  She also provides extensive quotes from William Blake and Vincent Van Gogh on their creative methods.

Reading her makes me feel like grabbing my laptop and writing then and there.

Here’s a quote from Chapter II:

I want to assure you with all earnestness, that no writing is a waste of time,–no creative work where the feelings, imagination, the intelligence must work.  With every sentence you write, you have learned something.  It has done you good.  It has stretched your understanding.

And for those struggling to find their “voice” as a writer, she has helpful advice to give in Chapter XI:

The only way to find your true self is by recklessness and freedom.  If you feel like a murderer for the time being, write like one.  In fact, when you are in a fury it is a wonderful time to write.  It will be brilliant,–provided you write about what you are furious at, and not some dutiful literary bilge.

Ueland had a successful career as freelance writer, and was knighted in Norway for her coverage of the treason trials of Vidkun Quisling.  A friend, Carl Sandburg, considered this the best book on writing when it came out in 1938.